A Psycholinguistic Analysis of TV Play 24 Ghantay written by Usama Siddiq: A Nietzschean Model

Abstract

This investigation delves into the psycholinguistic examination of the Pakistani TV drama "24 Ghantay" utilizing a Nietzschean framework. The main goals are to reveal the protagonist's struggle with the concepts of good and evil, analyze the representation of human duality, outline the moral standards and ambiguities presented in the drama, and investigate psychological tensions and identity crises. Utilizing a Nietzschean framework facilitates a more profound exploration of existential themes, including the will to power, eternal recurrence, and the Übermensch, in relation to the narrative of the drama. This analysis of linguistic patterns, character interactions, and narrative elements seeks to uncover the psychological dynamics and philosophical implications that underpin the protagonist's journey. This investigation enhances our understanding of psycholinguistics and Nietzschean studies, providing valuable perspectives on the intricacies of human nature and morality as reflected in Pakistani cultural outputs.

Keywords: Narratology, Stylistics, Psycholinguistics, Pakistani drama, Thematic analysis, Nietzschean Model